Thursday, December 4, 2008

animation 2






so everything was going pretty smoothly until i started messing with rollover buttons and ran into some major glitches. i'm pretty frustrated. the first frame is my intro scene and the button to the second scene is the finger. on the second scene the 3 photos on the right animate on and will turn into buttons that will change images or something when you rollover them, but as of now, my rollover(s) are not working, at least on the second scene. boo.

Tuesday, December 2, 2008

something old into something new.








i was looking for imagery for my flash project and came across these.

www.trans-technical.com

Tuesday, November 25, 2008

Monday, November 10, 2008

The Dangerous Book for Boys: Timers and Tripwires



Timer.
You will need:
• an old alarm clock
• bulb
• two pieces of insulated electrical wire with bare copper ends
• adhesive tape
• a battery--C or D size

These are very simple to make--and deeply satisfying. For the timer, any windup alarm clock will do--preferably one with with plastic hands. The idea is to use the clock to complete a circuit and turn on a light. You want the bulb to turn on in twenty minutes--to win a bet perhaps, or to frighten your little sister with the thought that a mad axe murderer is upstairs.
First, remove the plastic front of the clock. Tape wire to each hand, so that when one passes under the other, the bare ends will touch. It should be clear that a circuit can now be made with a time delay of however long it takes the minute hand to travel around and touch the hour hand.
Attach one of the wire to a positive battery terminal. Tape a flashlight bulb to the negative terminal and the end of the other wire to the end of the bulb. Test it a few times by touching the hands of the clock together. The bulb should light as the wires on the hands touch and complete the circuit.
Bear in mind that the hour hand will have moved by the time that the minute hand comes around, so it's worth timing how long it takes for the minute hand to, say, fifteen minutes before the hour. You can then terrify your young sister with the take of the man with the hook for a hand.

Tripwire.
This is almost the same thing, in that it uses a battery circuit with a bulb linked to a switch--in this case a tripwire. With a long enough wire, the bulb can be lit some way from the actual tripwire for longer warning times.

You will need:
• clothes pin
• wine cork
• tin foil
• fishing line or string
• batter, bulb and insulated wire, as with the timer setup.
• adhesive tape

Wrap foil around the ends of the wooden or plastic clothes pin. Attach your wires with tape to those foil ends, running both to exactly the same battery-and-bulb setup as the alarm-clock switch above.
The important thing is to have a nonconducting item between the jaws of the clothes pin. We found a wine cork worked quite well. The wire itself must also be strong enough to pull the cork out--if it snaps, the bulb won't light. Fishing wire is perfect for this, as it's strong and not that easy to see. It is also important to secure the clothes pin under a weight of some kind. Only the cork should move when the wire is pulled.
When the cork is pulled out, the jaws of the pin snap shut, touching the foil ends together, completing the circuit and lighting the bulb to alert you.
This works especially well in long grass, but its main disadvantage is that whoever trips the switch tends to know it has happened. Enemy soldiers would be on the alert, knowing they were in trouble. Of course, in a real conflict, the wire would have pulled out the pin to a grenade.

Pressure Plate.
One way of setting up a trip warning without the person realizing is with a pressure plate. Again, this relies on a simple bulb circuit, but this time the wires go to two pieces of cardboard held apart by a piece of squashable form such as you might find in children's blocks. A bit of sponge would also be perfect.

This time, tape foil squares over the bare ends of the wires on the inner surfaces of the cardboard and set up a simple bulb and battery circuit as before. With only light pressure from above, the two bits of cardboard come together, bringing the foil squares into contact. The circuit is made and the warning bulb comes on. Enjoy.

Tuesday, November 4, 2008

Wednesday, October 29, 2008

maybe just a bad week? or three...

so i picked up forms today to 1. study abroad and 2. drop out. maybe ill join the peace corps or become a nomad. or i could figure out a way to make a living off of drinking diet coke. i'd make a killing.

and to top things off, girltalk is sold out. BUMMER.

Sunday, October 26, 2008

Ugh.



my body hurts. i feel like this guy.

Tuesday, October 14, 2008

project two concept/mood/feel

Caroline and I want our site to be accessible first and foremost. We want it to be playful yet clean and sophisticated so that it is easily used by viewers of all ages. We want them to get inspired to learn about, plant, nurture, and love trees!

Sunday, October 12, 2008

Tuesday, October 7, 2008

10 well designed websites.


AdamsMorioka.

I like the design of this site because it's interactive but not confusing. It's well-organized, clean, and seamlessly designed.





Vogue.
Vogue's site has the maximum 7 primary tabs at the top that when scrolled over, automatically drop down to show sub-categories. More options are listed on the side in a clear manner, and everything is easy to read and understand, even with a couple of advertisements thrown in.





Design-Ranch.
When a viewer arrives at the design ranch home page, they are greeted by a dynamic sampling of some of their work. The site is arranged through 5 clear headers with drop tabs: Design Ranch, Process, Work, Product, and Contact. Doesn't get much simpler than that.




ESPN.
This website is beyond impressive. There is such an incredible amount of information in this site and it is so amazingly well-organized. With the minimal number of clicks and page changes, you can locate almost any fact, tidbit, or score you want. It has a little bit more content on the home page than a lot of sites, but for a site that contains as much information as espn.com does, it's totally acceptable.




Crosby Associates.
This firm is based out of downtown Chicago and has done branding for some huge clients. They have worked with Mutual of Omaha, the city of Chicago, the University of Chicago, and created the logo for AIGA. It comes as no surprise that their site is clean, clear, and to the point. It has a very minimalistic approach though, which I'm not completely sold on. It might just be a bit too simple.




Bruce Mau.
Another firm based out of downtown Chicago, whose mantra is currently all about "massive change." Their site is again, clean, clear, and organized to a T.




Paula Scher
She is so highly respected as a designer that it comes as no surprise that her website follows suit.




MTV.MUSIC
for the amount of content within this page, it is far from dull. it still achieves quirkiness and edginess. lurve.




apple
'nuf said.


my mom is awesome.

once in a blue moon, my mom forwards me an email.
they are always amazing.

the email subject is "halloween is going to suck this year."
maybe i think it's funny because my mom rarely shows that she finds anything funny or maybe it's because it's so true.


Saturday, September 27, 2008

Order of Order Summary

a nice short and sweet article about the endless options and fluidity that are involved in order, design and organization.

"There are endless ways to make sense of the world."

It is so true. Is there a right or a wrong way to organize? or is it really to each his own?

Thursday, September 18, 2008

Reading Four Question.

"Design and content processes continually inform each other."

This got me thinking. If design and content are constantly changing and influencing and redefining one another, it is possible to create a contemporary design that will remain timeless? Or will it all become out date and forgotten. I think back to works done by artists before the age of computers, greats such as da Vinci, Warhol, or Monet. Will any lasting work come from our generation? Our century?

Project Briefs. reading 3 summary.

The Creative Brief: What Is It?
-the creative brief usually spans 2-10 pages, depending on the depth and complexity of the project.
-it is a summary incorporating key information that serves to inform the entire team of the project's background, outline, and goals.

Why do we need one?
-you need a plan. a project brief is especially essential when dealing with information design due to the general complexity that comes with the territory of those kinds of projects.
-jumping into a information design project with no brief or plan would be like trying to drive to some other remote part of the country with no map, no spare tire, no cellphone and half a tank of gas. nearly impossible.

The brief should be tailored to the specific project and team that needs to use it. There is no standard outline, nor should there be.

A well thought out project brief serves as a good initial checklist that the client can okay before any work begins.

A brief usually breaks information down into 4 general categories.
1. Client Information
2. Project Information
3. Project Goals and Requirements
4. Project Logistics

Client information includes the full company name, number of years in business, any noteworthy accomplishments, whether it is a regional or national organization, etc. It also includes information about client sector. Is it a competitive marketplace? Have there been any recent industry changes? Next is competitor information. Who are your client's top 3-5 competitors and what are their strengths and weaknesses in relation to your client's. Who is/are your intended audience(s)?

Within the brief, there is project information that, as stated before, is an overview, an outline if you will, with key information and a clear hierarchy.

The brief is usually written by someone who is a good writer (duh) and is generally the person who has had the most initial and detailed contact with the client.

Wednesday, September 17, 2008

somewhat of an update.

i am really getting discouraged by After Effects.
fiddlestix.

how to avoid wasting excessive amounts of my life.


so i've been sitting in front of the computer in the lab trying to work on after effects and it's just not coming. for me, working at home is impossible because i will do everything BUT work on homework. when i come to the lab, i either work or i don't. tonight was one of those nights where i came with good intentions of making leaps and bounds of progress, but instead worked on type posters.
speaking of, i actually resolved some things in mine but it took sitting and playing with stuff for like 4 hours. they aren't complex or anything, but when i look at where i started and where i am not it's rather astonishing. when i get stuck, it seems as though the only remedy is sitting and messing around with stuff for hours upon hours until a breakthrough occurs.

QUESTION: what do you guys do when you're stuck, when you've hit a creative block?

ps, finally found music for my video...took long enough.


it's like 1 and im sleepy drunk. peace out.

pps. im getting SO excited for halloween. what is everyone thinking about for costumes?

Wednesday, September 10, 2008

some amazing fashion photography.





these are breathtaking.
photographed by Mario Sorrenti for W magazine.

Tuesday, September 9, 2008

Us Placers.

I've been thinking a lot about the theory of concepts recently, and how they shape and define a final product.
Caitlin showed me this video of four of my favorite artists collaborating and the concept behind the video blew me away. I think that the concept made for a stronger viewer engagement and impact. I know it's not animated, but enjoy it anyway :)


Update: I just read that this isn't the official video for the song, but rather a fan made video with no actual budget, just some creative peeps with a vision. If that's true, more power to them.

Tuesday, September 2, 2008

Reading 2 Thoughtful Question.

Infographics are all the rage when it comes to clean, simple, (semi)universal transfer of information and/or understanding.
But.
Can they be too simple? Become too graphic or symbolic? Is important information being lost or disregarded? Are infographics sometimes being used where text and written details should and need to be?
How simplified can something be before vital information and meaning is lost?

moodboard.



the board of mood.

Storyboard.

or lack there of.

after critique today, ill have one for thursday.

Word List.

vote
voter
register
candidates
non-partisan
apathy
republican
democrat
for
against
rely
ignore
youth
white
red
blue
use
issues
effect
secure
passion
you
question
answer
decide
voice
obama 
mccain
prepare
unite
television
engage
educate
choice
influence
responsibility
war
peace
polls
travel
revolution
america
president 
government
challenge
redemption
hope
clarity
propaganda
right
fight
race
president
parties
power
truth
honor 
defend

obviously don't have keywords defined since i have no effing concept. i need a diet coke, stat.

Monday, September 1, 2008

Refined Stories.

Story 1

So far this year, presidential candidates have spent 1.1226 billion dollars on campaigns. BILLIONS of dollars are being spent in a frenzy to secure a vote for themselves, a vote from you. That much money might be slight indication that voting is something that holds a bit of importance, or weight. Are you going to let that money go to waste? Make their money well spent, put in your two

I'm not a huge fan of this one, but there's a solid stat. blah.



Story 2

I was thinking about taking a survey of my peers over eight or so questions, four about random American pop culture, and four about general US trivia and then comparing the results.
Examples:

What is Britney Spears' ex-husband's name?
Who are the three American Idol judges?
What two people represent the word "Brangelina?"
Who's catch phrase is "That's hot?"
vs.
Who is the current Secretary of State?
Who is the Chief Justice?
Who said, "Give me liberty or give me death?"
What year was the Constitution written?

I think that the comparison of these answers have the potential to make a serious point, but I don't have a specific statistic. Help!

Thursday, August 28, 2008

Tufte, Wurman, and Holmes.







Edward Tufte [1942-present]


Edward Rolf Tufte is an American statistician who is currently working as a professor Emeritus at Yale University in the fields of statistics, information design, interface design, and political economy. He is an expert in the presentation of information graphics and the New York Times has described him as the da Vinci of data. Tufte was born in Kansas City, Missouri, was raised in Beverly Hills, California, and now resides in Cheshire, Connecticut. When he was a student at Yale, he was taught by John Tukey, a pioneer in the field of information design. Tukey obviously had quite the impact and influence on Tufte. 
Tufte is notably critical of the Microsoft software, PowerPoint, saying that instead of it being a tool used to enlighten the audience, it is used as a crutch, guiding and reassuring the presenter.


Richard Saul Wurman [1935-present]


Richard Wurman was born in Philadelphia, Pennsylvania and is an American architect and graphic designer. Wurman has written and designed over 80 books and is the creator and founder of the TED conferences. In 1976, he coined the term "information architect" as his reaction to a society that creates massive amounts of new information on a daily basis, but with little to no care, organization, or order. He is also the creator/writer of the popular ACCESS travel books.


Nigel Holmes [1942-present]


Nigel Holmes is a British graphic designer and theorist. Holmes graduated from the Royal College of Art in 1966 and a decade later, was hired to work for TIME magazine in 1977 to design "explanation graphics." His work primarily focuses on information graphics and design. He has done work for Nike, Apple, Fortune, Sony, United Healthcare, the Smithsonian Institute, US Airways, Visa, Harper's, the New York Observer, and the New York Times.



www.nigelholmes.com

www.edwardtufte.com

www.wurman.com/rsw/



Stories.

One.

In the 2004 presidential election, roughly 126 million people cast their votes at the polls. This number may jump off the page as a large one, but when put next to the United States' eligible voting population of 226.5 million people, it disappoints in comparison. Another interesting number to compare the voter turnout to is the number of United States citizens that are eligible for the draft, if one was ever reinstated. That number is 135 million. 68 million fathers, uncles, brothers and sons. 67 million mothers, aunts, sisters and daughters.
What I want this motion graphic to explain that even if you don't believe that voting is personally important, that you should make your voice heard for the ones you care about. Speak for those who do not have a voice. I want people who think that politics have little to no effect on them to realize that it may not matter right now, but what about when WWIII occurs. History repeats itself, it is bound to happen. It is only a matter of when.
I want voting to initially appear daunting, unmanageable, and not worth the effort. I want the voter to examine the word, and tip over the word, bend over the "O" and peer into its endless darkness. A wind blows and he/she falls in. As he/she falls through space, I want points to be made and images/graphics shown. Towards the end, I want a speck of light to appear, and grow larger and larger as he/she makes the realization that voting is important, it effects more than just you, and that it's not hard. I want him to "see the (voting) light." I see him/her coming out of the same word that originally engulfed him, a changed, enlightened and conscious voter.


Two.

I think that for the second story idea, I want to approach it from a more humorous point of view, since the first is a bit darker and may even turn into something slightly morbid depending on how far I would want to take that whole family-being-sent-to-an-ugly-war bit. I think that everyone, at least everyone of voting age, is familiar with the classic movie, "A Christmas Story." It could open with republicans on one side and all of their propaganda and ad campaigns screaming on the right and all of the democrats on the left doing exactly the same thing, with some "non-partisan" people in the background screaming to vote!vote!vote! 
It would be like a "I double dog dare you to vote" sort of thing. The person would go to the polls uninformed and confused, with images of all of the stuff that the media has bombarded him with, and essentially licks a frozen flag pole of voting because that is what everyone is telling him to do. I want to bring up that he shouldn't be voting just to prove that he did it, to satisfy others. He should be educating himself and going out to vote for no one but himself. He will rise above the whole game of politics (i.e. 5th grade winter recess) and not lick the icy frozen flagpole, but rather go to the voting poll and stand up for himself.

I feel like the second one is a bit (or very) scattered but I still like the general correlation...
p.s. I just realized that I don't have a statistic for this one. Maybe the number of 18-25 year olds that don't turn out to vote? Make the connection of the youth vote and not being childish? hmm...

Project Brief [my own words.]

To me, the goal of this project is to first engage a viewer, present an abstract concept, and through the use of motion, time, color and sound, morph and communicate the abstract and present it within a clear, concise final product.